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Living in a |
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Our Professional Heritage ... From 1880 through 1955, our professions created better than 10 million middle and upper income, single family, detached homes and gardens in a wealth of different architectural styles more than 60% of which still stand, to this day, gracing the streets of such older cities and towns as Alexandria, Annapolis, Baltimore, Bethesda, and Chevy Chase in the Washington, DC Metro area, of Brookline, Cambridge, Marblehead, and Salem in the Boston area, of San Francisco, of St. Louis, and of countless hundreds of other such cities and towns all across the USA and Canada.
To appreciate the impact our professions had on the lives of millions of Americans and Canadians throughout
those 75 years, you only need to take a drive – a journey of architectural "re-discovery "– through any of these
communities and towns. On their streets, no two houses are alike. Large and small stand intermingled.
The humble nudge the pretentious. Victorian painted ladies stand arm in arm with staid old Federalist
gentlemen. New England Colonials are at peace with the Old English. The Gothic and the Modernist stand
side by side. The Bauhaus, the Contemporary, and the Wright-ians are there too, all begging your attention.
So are the Arts and Crafts and the Shingle-style homes. To be sure, so once in a while you'll pass by a
contraption (for want of a better description) so ugly that you almost need to barf. For every one of those,
however, you'll be stopped, dead in your tracks, by one that is just breathtakingly beautiful. In all, you'll
be treated to a mélange so rich and varied that it boggles the mind, dazzles the eye, and almost defies the imagination.
Where our professions stand today ...
On your drive back to the every-day world in which you live, it all of a sudden hits you, like a ton of bricks,
that you now find yourself driving through post 1955 "Real Estate Developments" composed of street upon street and row
upon endless row of equal sized, cookie-cutter, style-less houses that all, somehow, look as if they popped straight off the
same CDC (Corporate Design Committee) drafting board. As matters stand now, more than 75% of all of those who still practice our arts on a full time basis in metropolitan areas, say that they count themselves lucky if they can NET more than $110,000 annually. To do that, they say, they have to work about 54 hours a week mainly on renovating and remodeling jobs with an occasional new home thrown in. "Heck",one remarked; "that's about $40 an hour. Tell me, when was the last time you paid $40 an hour to have your car fixed or your plumbing repaired? Talking about us being "Elitist'!" As a result, ever increasing numbers of us are leaving the fields causing the state-of-the-art of residential and garden (landscape) architecture and design to plummet accordingly.
What happened? ...
Well, the "Production Housing Industry" (PHI) is what "happened"!
Another thing that happened" was that, under the pressure of this competitive onslaught, more and more members of our professions began to let the quality of their business and design practices slide. Truth to tell, by competing only with each other and by copying what the "PHI" has to offer (i.e. by tacitly accepting their "products" as the "standards" against which ours should be judged – which they are definitely NOT – and then by skimping on the quality and the quantity of the services which we can be expected to offer, we all have played (and continue to play) right into the hands of the "PHI". Hence the steady decline of custom residential and garden (landscape) architecture as economically viable and socially creative professions and art forms.
With few exceptions, most all of the self employed, custom residential
and garden (landscape) architects, old and young alike, we talked with on this subject over the last 6+ years, wholeheartedly
agreed with Sarah Susanka (The Not So Big House) who wrote that;
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